Original Illuminated Leaf From the Famed 14th Century Saint Albans Bible & Renowned Medieval Parisian Artist Mahiet

The Saint Albans Bible started life in Paris in the 1320s or 1330s. Likely, three artists worked together in an atelier, or workshop, to create the high quality product. The workshop to which Christopher de Hamel attributes the creation is that of the famed Parisian artist, Jean Pucelle, one of the most important and influential artists for the Gothic style. While the Saint Albans Bible is not in the hand of John Pucelle, it is in the hands of his associates, the Saint Louis Master, whose name has been identified as Mahiet (Kuroiwa, “Working with Jean Pucelle”). On the margins of another manuscript illustrated by the Saint Louis Master, housed in the Bibliotheque Nationale de France in Paris, a marginal note from Pucelle to an illuminator, Mahiet, confirms the Saint Louis Master’s identity. Through the association of the Saint Albans Bible with Mahiet and Pucelle, a complex network of Parisian bookmakers opens up, and their works can be traced.

From its manufacture on the Rue de la Parcheminerie, the Bible was likely a gift from Richard de Bury, Bishop of Durham to the Abbey of Saint Albans after his 1320-1330s visit to Paris (de Hamel, “Leaf of a Bible Manuscript”). Leaves have ended up in collections such as the Tokyo National Museum of Western Art, the University of Colorado at Boulder, and the University of British Columbia, with others in private hands. The post-medieval lives of manuscripts, as they fragment and change hands, demonstrates their endurance as status symbols and works of art— as a whole and as a part.

The text shows the repair of Solomon’s temple by King of Judah Joash: “Joash said to the priests, ‘Collect all the money that is brought as sacred offerings to the temple of the Lord—the money collected in the census, the money received from personal vows and the money brought voluntarily to the temple. Let every priest receive the money from one of the treasurers, then use it to repair whatever damage is found in the temple.’”

Provenance: 1. From an incomplete Bible sold at Sotheby’s, 6 July 1964, lot 239, to the dealer and book-breaker Philip C. Duschnes, who dispersed it. Other leaves had already been removed, with some ending up in the collections of E.H. Dring (1864-1928), one reappearing in Bernard Quaritch, cat. 1036, 1984, no. 76).

Then identified in 1981 as from the medieval library of St Albans Abbey, Hertfordshire, and perhaps to be identified as one of ‘duas bonas biblias’ acquired by Abbot Michael de Mentmore (C. de Hamel in Fine Books and Book Collecting, 1981, pp. 10-12).2.

More details:

Leaf from the St Albans Abbey Bible, in Latin, illuminated manuscript on parchment [northern France (Paris), c. 1330] Single leaf, with double columns of 46 lines in a fine gothic bookhand (Kings 11:4-21; Kings 12; Kings 13:1-14), with hairline penwork ornamenting the V with a grotesque animal head biting the ascender, versal numbers in alternate liquid gold and blue capitals with contrasting penwork.