President Ulysses S. Grant Appoints a Key Civil War Figure a Quartermaster in the Regular Army
The appointee, Langdon C. Easton, Had Been General William T. Sherman’s Quartermaster General in the Victorious Georgia Campaign
Acquired directly from the descendants and never before offered for sale
Langdon C. Easton graduated at the U. S. military academy in 1838. He served in the Florida and Mexican wars, and during the Civil War. He was Chief Quartermaster of the Army of the Cumberland from December 1863, until May 1864,...
Acquired directly from the descendants and never before offered for sale
Langdon C. Easton graduated at the U. S. military academy in 1838. He served in the Florida and Mexican wars, and during the Civil War. He was Chief Quartermaster of the Army of the Cumberland from December 1863, until May 1864, and of the armies commanded by Major General William T. Sherman from May 4, 1864, until the war’s end, being present during the operations of the campaign from Chattanooga to the taking of Atlanta, and subsequently at the capture of Savannah. On the march from the latter city to Goldsborough, NC., and thence to Washington, DC., via Raleigh and Richmond, General Easton acted in the same capacity. During the war he was brevetted major, lieutenant colonel, colonel, and brigadier general, “for distinguished and important service in the quartermaster’s department in the campaign terminating in the capture of Atlanta, Georgia,” and major general, March 13, 1865, “for meritorious service during the war.” After the war he remained in the regular army, serving as quartermaster with the rank of colonel.
Document signed, with an eagle, stars, flags and cannon, Washington, July 2, 1872, promoting Easton assistant quartermaster general with the rank of colonel. The document is countersigned by Secretary of War William Belknap.
An interesting appointment with a major Civil War connection.
Acquired directly from the descendants and never before offered for sale.
Frame, Display, Preserve
Each frame is custom constructed, using only proper museum archival materials. This includes:The finest frames, tailored to match the document you have chosen. These can period style, antiqued, gilded, wood, etc. Fabric mats, including silk and satin, as well as museum mat board with hand painted bevels. Attachment of the document to the matting to ensure its protection. This "hinging" is done according to archival standards. Protective "glass," or Tru Vue Optium Acrylic glazing, which is shatter resistant, 99% UV protective, and anti-reflective. You benefit from our decades of experience in designing and creating beautiful, compelling, and protective framed historical documents.
Learn more about our Framing Services