From the 14th Century Saint Albans Bible & Renowned Medieval Parisian Artist Mahiet

The text gives part of Paul’s recount of his life story to King Agrippa who is almost persuaded to become a Christian

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The Saint Alban’s Bible started life in Paris in the 1320s or 1330s. Likely, three artists worked together in an atelier, or workshop, to create the high quality product. The workshop to which Christopher de Hamel attributes the creation is that of the famed Parisian artist, Jean Pucelle, one of the most...

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From the 14th Century Saint Albans Bible & Renowned Medieval Parisian Artist Mahiet

The text gives part of Paul’s recount of his life story to King Agrippa who is almost persuaded to become a Christian

The Saint Alban’s Bible started life in Paris in the 1320s or 1330s. Likely, three artists worked together in an atelier, or workshop, to create the high quality product. The workshop to which Christopher de Hamel attributes the creation is that of the famed Parisian artist, Jean Pucelle, one of the most important and influential artists for the Gothic style. While the Saint Alban’s Bible is not in the hand of John Pucelle, it is in the hands of his associates, the Saint Louis Master, whose name has been identifed as Mahiet (Kuroiwa, “Working with Jean Pucelle”). On the margins of another manuscript illustrated by the Saint Louis Master, housed in the Bibliotheque Nationale de France in Paris, a marginal note from Pucelle to an illuminator, Mahiet, confirms the Saint Louis Master’s identity. Through the association of the Saint Albans Bible with Mahiet and Pucelle, a complex network of Parisian bookmakers opens up, and their works can be traced.

From its manufacture on the Rue de la Parcheminerie, the Bible was likely a gift from Richard de Bury, Bishop of Durham to the Abbey of Saint Albans after his 1320-1330s visit to Paris (de Hamel, “Leaf of a Bible Manuscript”). Leaves have ended up in collections such as the Tokyo National Museum of Western Art, the University of Colorado at Boulder, and the University of British Columbia, with others in private hands. The post-medieval lives of manuscripts, as they fragment and change hands, demonstrates their endurance as status symbols and works of art— as a whole and as a part.

The text gives part of Paul’s recount of his life story to King Agrippa who is almost persuaded to become a Christian. The imprisoned Paul’s ship runs aground and he is shipwrecked in Malta on his way to face trial in Rome. The barbarians of Malta show Paul and the shipwrecked crew kindness by building a fire, but a viper emerged from the ashes and bit Paul’s hand, though he did not die.

Provenance: 1. From an incomplete Bible sold at Sotheby’s, 6 July 1964, lot 239, to the dealer and book-breaker Philip C. Duschnes, who dispersed it. Other leaves had already been removed, with some ending up in the collections of E.H. Dring (1864-1928), one reappearing in Bernard Quaritch, cat. 1036, 1984, no. 76).

Then identified in 1981 as from the medieval library of St Albans Abbey, Hertfordshire, and perhaps to be identified as one of ‘duas bonas biblias’ acquired by Abbot Michael de Mentmore (C. de Hamel in Fine Books and Book Collecting, 1981, pp. 10-12).2.

More details:

Leaf from the St Albans Abbey Bible, in Latin, illuminated manuscript on parchment [northern France (Paris), c. 1330] Single leaf, with double columns of 46 lines in a fine gothic bookhand (Acts 26:14- 32 ; Acts 27:1-44; Acts 28:1-9 ), with hairline penwork ornamenting the V with a grotesque animal head biting the ascender, versal numbers (27, 28) in alternate liquid gold and blue capitals with contrasting penwork, running titles in same, two 2-line initials (one each side of leaf) each in faded pink with white ornamentation on gold background and enclosing foliage, one medieval correction in the margin indicated by a signe-de-renvoi, modern pencil numerations (3, 73), 295 by 200mm or 12 by inches.

Translation begins as below. Full available on request.

14 And when we were all fallen down on the ground, I heard a voice speaking to me in the Hebrew tongue: Saul, Saul, why persecutest thou me? It is hard for thee to kick against the goad.

15 And I said: Who art thou, Lord? And the Lord answered: I am Jesus whom thou persecutest.

16 But rise up, and stand upon thy feet: for to this end have I appeared to thee, that I may make thee a minister, and a witness of those things which thou hast seen, and of those things wherein I will appear to thee,

17 Delivering thee from the people, and from the nations, unto which now I send thee:

18 To open their eyes, that they may be converted from darkness to light, and from the power of Satan to God, that they may receive forgiveness of sins, and a lot among the saints, by the faith that is in me.

19 Whereupon, O king Agrippa, I was not incredulous to the heavenly vision:

20 But to them first that are at Damascus, and at Jerusalem, and unto all the country of Judea, and to the Gentiles did I preach, that they should do penance, and turn to God, doing works worthy of penance.

21 For this cause the Jews, when I was in the temple, having apprehended me, went about to kill me.

22 But being aided by the help of God, I stand unto this day, witnessing both to small and great, saying no other thing than those which the prophets, and Moses did say should come to pass:

23 That Christ should suffer, and that he should be the first that should rise from the dead, and should shew light to the people, and to the Gentiles.

 

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